The Cedars is a place of extraordinary breadth, encompassing art, history, and nature in a uniquely harmonious setting. Home to the nationally recognized and highly valuable collections of the Hans and Nora Heysen Foundations, the property also features historic architecture, beautifully maintained gardens, native bushland, and welcoming spaces like the Cedars' Kitchen cafe.

The property passed from Hans to his eldest son David in 1968 and onto David's four children in 1990. It remained a private residence until the Heysen descendants officially opened it to the public six days a week in 1994, recognising its value as a national cultural icon. It is now under the custodianship of the non-for-profit Hans Heysen Foundation, set up by the Heysen Family in 2011, whose mission it is to preserve, protect, and promote the Heysen legacy.

Hans Heysen

Hans Heysen, born in Hamburg, Germany, in 1877, immigrated with his family to Adelaide in 1884, beginning a journey that would shape him into one of Australia’s most celebrated artists. At just 14, Hans bought his first paint set, sparking a passion for art that led him to formal lessons with James Ashton and regular exhibitions in Adelaide. His talent quickly drew attention, and benefactor Robert Barr Smith sponsored his studies at the Gallery's School of Design.

In 1899, Heysen’s artistic promise inspired four prominent Adelaide citizens to contribute £400 for his studies in Europe. Immersed in the vibrant art scene of Paris, he trained at the Académie Julian and Colarossi’s Academy and even received an invitation to join the prestigious École des Beaux-Arts. In 1903, after travels through Italy, Heysen returned to Adelaide, where he set up his studio in the Adelaide Steamship Building.

While painting for exhibitions and teaching art, Hans met Selma (Sally) Bartels, a talented student who would become his muse and wife in 1904. In 1908, Hans and Sally moved to a rented cottage on Billygoat Lane in Hahndorf, laying the foundations for their life immersed in the natural beauty of the Adelaide Hils that would inspire Heysen’s most iconic works. 

In 1912 Hans and Sallie, with children Josephine, Freya, Lilian and baby Nora, settled into a colonial style villa surrounded by a garden and 35 acres of land, The Cedars. From 1919 to the late 1920s, the Heysens extensively changed the house to accommodate their growing family, with David, Deirdre, Michael and Stefan born here between 1913 and 1919.

Nora Heysen

Born in Hahndorf in 1911, Nora Heysen was the fourth child of Hans and Sallie Heysen and called The Cedars home from 1912 to 1934. Displaying extraordinary artistic talent from an early age, she studied at the School of Fine Arts in North Adelaide from 1926 to 1930.

By 1933, Nora’s work was already recognised by major galleries, with acquisitions by the National Gallery of South Australia, the Queensland Art Gallery, the National Art Gallery of New South Wales, and the Howard Hinton Collection. Her first solo exhibition in Adelaide was a sell-out success, earning her the Melrose Prize for Portraiture.

From 1934 to 1937, Nora refined her skills in London and upon returning to Australia she briefly stayed again at The Cedars before relocating to Sydney. In 1938, Nora made history as the first woman to win the Archibald Prize with her portrait of Madame Elink Schuurman. In 1943, she became Australia’s first female war artist, completing over 160 works now held in the Australian War Memorial collection. After her discharge in 1946, she spent several months at The Cedars.

While in New Guinea, Nora met Dr. Robert Black, a tropical disease specialist, and moved to England in 1947 to be near him. They married in Sydney in 1953 and settled at The Chalet in Hunter’s Hill, where Nora continued to live until her death in 2003.

Nora’s work focused on self-portraits, portraits, and still lifes, particularly floral pieces. She remains highly regarded, with her art represented in all major public collections, numerous provincial galleries, and private collections. Her remarkable achievements were recognized with the Australia Council’s Award for Achievement in the Arts in 1993 and the Order of Australia (AM) in 1998, cementing her place as one of Australia’s most celebrated artists.

The Cedars

In 1912 Hans and Sallie Heysen, with Josephine, Freya, Lilian and baby Nora, settled into this colonial style villa surrounded by a garden and 35 acres of land. From 1919 to the late 1920s, the Heysens extensively changed the house to accommodate their growing family, with David, Deirdre, Michael and Stefan born here between 1913 and 1919.

The façade and interiors are described as the most intact example of domestic Federation Arts and Crafts style in Australia. Each generation of the Heysen family has carefully ensured that the house and its furnishings have changed little since the 1920s.

Original art works by Hans and Nora Heysen, and other artists, can be seen in each room, as well as artefacts and personal items that made this beautiful house the Heysen home.

Collections

Our People

Meet our board

General Manager
Emma Farnam

Administration Officer
Naomi Longo

Project Officer
Camila Longarete

Curator and Head Gardener
Allan Campbell

Cafe Manager
Camila Longarete

Groundskeeper
Mark Baker

Gardener
Dee Baker

Supporters

Media

Artwork & Copyright Queries

Please email [email protected] for permission to reprint any Heysen images